Showing posts with label tile. Show all posts
Showing posts with label tile. Show all posts

Friday, March 29, 2024

CERAMIC BUILDING MATERIAL MINIMUM STANDARDS FOR RECOVERY, CURATION, ANALYSIS AND PUBLICATION

Bit of a mouthful! But useful if you have a heck of a lot of Ceramic Building Material on site or cluttering up your archives or even museum in the UK.  Meanwhile, the standards are from 2002 and doubtless need up dating.  However, till then ... : 

 

CERAMIC BUILDING MATERIAL
MINIMUM STANDARDS FOR RECOVERY, CURATION, ANALYSIS AND PUBLICATION

 

1. INTRODUCTION

1.1 Background

1.1.1 Ceramic building material (CBM) is defined as clay material that has been deliberately fired for use as part of a structure. The main categories are brick, roof tile, floor tile, wall tile and hypocaust elements.


1.1.2 Archaeology became formally recognised in the planning process following the introduction of PPG16 (DoE 1990), and there has been a considerable increase in the amount of fieldwork that takes place as a result. Such archaeological work, mainly in the form of evaluations, is normally subject to competitive tendering. It is a commonplace for several contractors to work in the same region, resulting in a wide variability of excavation and recording procedures. Nevertheless, contracting archaeologists have a responsibility to ensure that archaeological information is properly recovered and recorded. Local authority planning archaeologists are responsible for adequate monitoring of those projects under their jurisdiction. However, the planning archaeologists have a tremendous workload and may have insufficient access to specialist knowledge to carry out this role.
 

1.1.3 In an attempt to ensure adequate study and curation of the archaeological resource, various standards have been issued by the professional body of the discipline, the Institute of Field Archaeologists. The latest standard deals with finds work (IFA 2001). Individuals and organisations could be in breach of the IFA Code of Conduct if they fail to adhere to these standards.

1.1.4 Another method that has been adopted in order to assist planning archaeologists with monitoring is the production of guidelines. The United Kingdom Institute for Conservation (UKIC) has produced several guidelines on the recovery and curation of excavated material. A review of medieval pottery studies in England recognised the existence of a range of curation and study procedures that required standardisation (Mellor 1994). Specialist pottery groups have produced guidelines regarding Roman and medieval pottery (SGRP 1994; MPRG 2001).

1.1.5 In order to maximise the resources available for archaeological research, MAP2 was published as a guide to the cost-effective management of projects (English Heritage 1991). MAP2 requires the research potential of all of the data recovered, including the finds, to be considered during assessment.
 

1.1.6 This document is presented by the Archaeological Ceramic Building Materials Group (ACBMG) which was established in 1999. The group covers Britain primarily, but also has links with Europe. One of its stated aims is to influence policy and strategy with regard to ceramic building materials.
 

1.2 The value of CBM
1.2.1 CBM is found on many archaeological sites. As it is relatively stable and forms a major component of many buildings, it often forms the greatest portion of the artefacts and bulk material found on archaeological sites. Although the forms are not as diverse as pottery, there are sufficient variations in the forms and fabrics of CBM to formulate typologies and to identify clay sources. All CBM, even unstratified material, is therefore potentially important in its own right.
 

1.2.2 Brick and tile of all periods can be extremely useful in providing information on:
a) economy: local, regional and international trade; manufacturing processes and technology; relationship with other British building traditions and techniques. An example is the introduction of brick into eastern England from the Low Countries in the 14th century.
b) society: building and site status; working practices. For instance, curved and flanged tile, a roofing system similar to the Roman imbrex and tegula, is increasingly being recognised as an indicator of the presence of high status buildings of Anglo-Norman date.
c) fieldwork interpretation: site dating; site formation processes (deposit status, contamination and residuality). For example, on evaluations in urban contexts where CBM is assessed, the brick and tile usually play a useful role in dating the stratified sequence of activity.
 

1.2.3 The importance of the brick and tile industries in England has been recognised in the English Heritage Monuments Protection Programme (Simco 1998, 46ff.). Roman and post-Roman CBM industries tend to manufacture products for a local or regional market, and there is considerable potential to refine the spatial and chronological distributions of the material.
 

1.3 The current use of CBM as a resource
1.3.1 The fact that CBM is bulky and can be found in quite large quantities can be seen to be as much a problem as an asset. It is often neglected as an archaeological resource because its retention in the archive is deemed to be too costly in a financially competitive environment. The recovery of brick and tile is variable as a result. Typically, the CBM is radically sampled on site, producing a biased sample. Even on larger or research excavations, decisions regarding the recovery and recording of CBM are often made without specialist advice. Sampling on a scale that would be totally unacceptable for virtually every other form of excavation data is still the norm. Discarded material is usually inadequately recorded. Often, the retained sample is not assessed (by a qualified specialist).
 

1.3.2 CBM form and fabric type series already exist in some regions, but they often result from the work of individual CBM specialists. Regions with more than one CBM specialist could have two or more type series that are not easily comparable. There is usually insufficient time in the average evaluation to record the forms and fabrics and weigh the individual fragments. The brick and tile is 'assessed' instead, resulting in an unquantified list of the presence of forms by context
 

1.3.3 Progress over the last decade in developing the potential of the material has been more limited than might have been expected. Even if brick and tile is adequately recovered and/or recorded, most of the information is not disseminated beyond the evaluation report. The analysis and publication of large CBM assemblages is extremely rare.
 

1.4 Aims of these guidelines
a) to assist planning and other archaeologists devising specifications for archaeological projects, so that adequate treatment of CBM and involvement of CBM specialists is ensured
b) to assist museum curators in the management of their archives and CBM collections
c) to offer guidance on good working practice to CBM specialists and those in the archaeological profession who come across CBM in their work

 

2. GUIDELINES

2.1 Project design
2.1.1 Wherever the recovery of CBM assemblages (or related material such as daub or mortar) from a fieldwork project is likely, the advice of a CBM specialist should be sought. If such a specialist is required to form part of a project team, he/she should be identified at the outset. The CBM specialist should be involved in the project design (and its up-dating), the project costing and strategic decision-making.
 

2.1.2 Contracting archaeologists should be aware of the resource implications regarding the deposition of CBM with receiving museums. The registered receiving museum should be consulted by the contracting archaeologist regarding the deposition of the material and its documentation as part of the site archive (see IFA 2001, 3.3 and 3.6).
 

2.1.3 The ownership, curation and accessibility of the CBM archive should be considered in the project design. The costing of, and provision for, each of these aspects should be accounted for in the project budget (IFA 2001, 3.10.1).
 

2.2 Type series
2.2.1 Regional CBM (form and fabric) type series should be established and curated, preferably by the local collecting museum or similar curator, and their use encouraged by the planning archaeologist. This would result in standardised identifications, the basis of future synthetic work. The necessity of consulting a recognised CBM type series should be built into briefs and specifications, and should apply to all contractors working in each region. In the absence of a regional type series curated by the collecting museum, the local CBM specialist(s) should be consulted (see IFA 2001, 3.7.2).
 

2.2.2 The type series should comprise examples of each fabric and form, supported by written descriptions; and thin-sections of each fabric, the location of which should be incorporated into the UK Database of Thin-Sections. Fabrics should be identified using a magnifying hand lens or microscope as appropriate.


2.3 Fieldwork
2.3.1 Recovery
All CBM found during fieldwork must be retained for examination by a CBM specialist. Unstratified material should be examined by the CBM specialist in order to identify items of intrinsic interest.
 

2.3.2 Discard
It should be possible to discard some CBM from each assemblage provided it is adequately recorded by a CBM specialist (see Recording, below). The retained sample must be representative of the form and fabric types.
Unstratified material generally need not be retained (but see 2.3.1). CBM in excavated structures, such as brick walls, should be sampled. Any sampling and discard procedures must be agreed with the CBM specialist. Discard strategies should be described in the site report (see IFA 2001, 3.4.1-3).
 

2.4 Processing
2.4.1 All retained brick and tile should be processed as soon as possible. It should be adequately washed, bagged (normally by context) and boxed, using suitable archive-quality material. Marking of individual fragments is generally unnecessary, provided the unmarked material is never left without an archive-quality label showing its exact provenance. Suitable care and conservation of the CBM should be undertaken (IFA 2001, 3.4.4).
 

2.5 Assessment
2.5.1 Assessment of brick and tile by a CBM specialist, in order to determine the quality of the data, is necessary for evaluations as part of the planning process (PPG16) and before undertaking analysis and publication (MAP2). In the case of evaluations, the minimum information recorded should be the forms by context, comments regarding diagnostic items, fabrics and the character of the context assemblage, and context spot dates. Such information does not constitute a full record of the material. It is often worthwhile and cost-effective for the CBM to be fully recorded at this stage, prior to analysis, subject to the agreement of the CBM specialist and the planning archaeologist (IFA 2001, 3.5.1).

2.5.2 The CBM specialist should have access to suitable stratigraphic information and supporting locational and dating evidence, in order to ascertain the context of the assemblage and to ascertain the degree of residuality/contamination (IFA 2001, 3.5.2).
 

2.6 Recording
 

2.6.1 Where full recording is necessary (prior to discarding, or during the creation of a research archive - see above), recording should be undertaken using a proforma (see Appendix 1 for an example of a recording proforma). The CBA guide to recording floor tile (Stopford 1990) and the museums documentation standard (SPECTRUM) should also be consulted as appropriate. Normally, a proforma will be completed for each context. All fragments of CBM should be fully recorded (IFA 2001, 3.7.2). The following details should be included for each item:
a) quantification
Quantification of each item will normally be by weight in grammes. Along with the recording of each fragment separately, this constitutes the minimum information needed to ascertain the condition of the assemblage (sherd count and weight). Additional methods of quantification may be necessary depending on the project research objectives.
b) fabric
Should refer to the regional fabric series. In the absence of a regional fabric series, or where fabrics new to the fabric series are identified, samples of the fabrics, along with supporting descriptions, should be included in the archive. Examples of fabrics new to the regional fabric series should be added to that series. See Orton et al (1993, 132-40) for guidance on fabric descriptions.
c) form
Consistent and standardised terminology should be used where possible (tegula cutaway types for example). If local terms are used, they should be included in the regional type series. See for example Ryan (1996, 91f.) for terms regarding bricks.
d) Supporting information
Includes form characteristics (such as peg holes), manufacturing details (such as signatures, pressure marks and glazing), condition (such as signs of abrasion) and signs of use (such as sooting) and re-use (such as mortar applied to broken edges). Measurement in millimetres of certain features (including any complete dimensions, tegula flange heights and peg hole sizes) is necessary.
 

2.7 Analysis
2.7.1 Analysis of brick and tile should be undertaken by a CBM specialist. The precise form of the analysis will depend on its suitability to address the project aims and objectives (IFA 2001, 3.7.1).
2.7.2 In certain circumstances, it may prove necessary to undertake one or more forms of scientific analysis at this stage, as determined by the MAP2 assessment, usually in order to confirm fabric identifications or to identify clay sources. The main types of scientific analysis are as follows:
a) Thin-sectioning
The mineral components of CBM can be identified by viewing thin slices of brick and tile under a petrological microscope.
b) Inductively-coupled plasma spectrometry analysis (ICPS)
The measurement of atomic components of a vapourised ceramic sample.
c) Neutron activation analysis
Through neutron bombardment, the radioactive isotopes in a specimen are measured in order to identify trace elements. Not recommended.
d) X-ray fluorescence.
This has the advantage of being a non-destructive process, but it can only detect certain elements. Perhaps best for the analysis of glazes.
For a thorough exploration of these methods see Barclay (2001).

2.7.3 It may be possible for the CBM specialist to discard some of the material at this stage, subject to the agreement of the planning archaeologist and/or the collecting museum, provided the discarded CBM has been adequately recorded (see Recording, above).
2.7.4 A research archive should be created whether or not the material is deemed suitable for publication (IFA 2001, 3.7.4).


2.8 Computerisation
2.8.1 The use of proformas and standard terms lends itself to computerisation of the records. Ideally, computerised records should be held in an active database; disks stored with the paper archive will become unusable due to their obsolescence (see Richards and Robinson 2001). Even if records are computerised, the paper records should still be included in the archive.
 

2.9 Dissemination
2.9.1 It is essential that the results of the study of brick and tile from archaeological sites should be adequately disseminated in order to develop the material as a resource; to encourage a broader appreciation of the value of archaeological investigation; and to enable broader synthetic studies. Sufficient attention should be paid to the intrinsic value of each assemblage, not just to the best-preserved and more unusual items or the contribution of the material to the interpretation of the site.
2.9.2 The form of dissemination should be determined by a MAP2 assessment. In the case of published reports, this may range from short notes to a full text with illustrations, perhaps incorporating the recorded data in its entirety (see Recording, above).
2.10 The archive
2.10.1 The creation of the archive, and its transfer to the collecting museum, should accord with the guidelines of the Society of Museum Archaeologists (1993). The archive should comprise the retained CBM, all documentation relating to the recording and analysis of the entire assemblage, and a copy of the final report. See SPECTRUM for guidance on museum documentation requirements.
2.10.2 The location of the archive, the existence of any unpublished information and the museum accession code should be stated in the publication report.
2.10.3 The archive should be stored in accordance with the requirements of the registered receiving museum. Examples of new fabrics and forms, along with its documentation, should also be deposited with the Regional Type Series (see IFA 2001, 3.10).
 

3. BIBLIOGRAPHY
Barclay, K. 2001. Scientific analysis of archaeological ceramics: a handbook of resources (Oxbow Books)

DoE, 1990. Planning Policy Guidance Note 16: Archaeology and Planning (=PPG16)
English Heritage, 1991. Management of Archaeological Projects (=MAP2)

IFA = Institute of Field Archaeologists, 2001. Standard and Guidance for the collection, documentation, conservation and research of archaeological materials (updated)


Mellor, M., 1994. Medieval Ceramic Studies in England: A Review for English Heritage (English Heritage)

MPRG = Medieval Pottery Research Group, 2001. Minimum Standards for the Processing, Recording, Analysis and Publication of Post-Roman Ceramics (Medieval Pottery Research Group) (superceded by A Standard for Pottery Studies in Archaeology  was compiled by the three period-specific pottery study groups (Prehistoric Ceramic Research Group (PCRG), Study Group for Roman Pottery (SGRP) and MPRG) and funded by Historic England with the aim of creating the first, comprehensive, inclusive standard for working with pottery)

Orton, C., Tyers, P. and Vince, A., 1993. Pottery in archaeology (Cambridge University Press)

Richards, J. and Robinson, D. (eds.), 2001. Digital Archives from Excavation and Fieldwork: Guide to Good Practice (Oxbow, 2nd edition)

Ryan, P., 1996. Brick in Essex from the Roman Conquest to the Reformation

Simco, A., 1998. The clay industries (English Heritage, Monuments Protection Programme, Step 1 Report)

Society of Museum Archaeologists, 1993. Selection, Retention and Dispersal of Archaeological Collections: Guidelines for use in England, Wales and Northern Ireland
 

SPECTRUM = UK museums documentation standard (Museums Documentation Association, 2nd edition) (updated)

Stopford, J., 1990. Recording medieval floor tiles (Council for British Archaeology)
 

SGRP = Study Group for Roman Pottery, 1994. Guidelines for the Archiving of Roman Pottery (Study Group for Roman Pottery, Guidelines Advisory Document 1)
 

V3.3
KHM 11/2002

Links added to publications 3/2024 - any updates have NOT been considered for standards as yet

Saturday, July 16, 2016

Medieval Tiles in the news - Westgate, Oxford


  
The 13th century tile pavement uncovered at Westgate Oxford 
© Oxford Archaeology
 
"The tiles were probably made near Newbury in West Berkshire and are of the 'Stabbed Wessex' type, whose main period of use was between AD 1280 – 1350."

Sunday, May 20, 2012

Meat Tile Anyone?



Bit off the beaten ceramic tile track, but arguably gets into the 100 and 1 uses for brick and tile book: a short article on the Historical Novel Society webpages, copied from Bloody Good Read blog.  Tile as food eh? ;)


Monday, April 23, 2012

York Big City Read


 
The York Big City read for this year is Susanna Gregory's Mystery in the Minster.  It's the 17th chronicle of Matthew Bartholomew, and is set in the 14th century.  I'm forward to seeing the author when she visits York in July. According to this review, the Vicars Choral are causing trouble - no change there then!  And mention is made of the St Leonard's Hospital red roof, so at some point I must have a look at the book meself, especially as I was involved in recording the brick and tile from that site ;)

Sunday, April 01, 2012

The Bone Thief by V M Whitworth


This is another in my occasional series of brick and tile in novels.  Since this book is set in 900 AD, you may think that the author is erroneous, but ...    First a little about the story itself:




Synopsis (from http://www.randomhouse.co.uk/editions/the-bone-thief/9780091947217)

900 A.D. A time of turmoil. A kingdom in dispute. An unlikely hero...

Edward, son of Alfred the Great, has inherited the Kingdom of Wessex and achieved a precarious set of alliances through marriage and military conquest. But the alliance is uneasy and the kingdom of Mercia has more reason than most to fear the might of Wessex. Their Lord is elderly and perhaps mortally sick, and his wife fears that she does not have the power to withstand hostile takeover. She also knows too well what her neighbour is capable of - after all, King Edward is her brother.

The chance to rescue St Oswald's bones, beloved patron saint, to consecrate her new church and unite the people behind her, is too good an opportunity to miss. But they are rumoured to be buried a long way north - outside Lincoln, deep in hostile territory. Her secretary, Wulfgar, groomed for the priesthood since he was a boy in the elegant cloisters of Winchester cathedral but a naïve in the ways of the wider world - is surprised to be sent on this mission. It will prove an incredibly dangerous journey, requiring resources and courage Wulfgar did not know he had, and support from surprising allies along the way including a maverick priest and a Viking adventuress whose loyalties are far from clear...


Now the scene is set, what about the tiles, you may ask?   There were a couple of mentions.  On page 162:

"It [Leicester Cathedral] had been made of golden stone and russet tile ..."



Edge of the seat stuff for the tile-kind ;)  But does the phrase russet tile mean ceramic tile?  Ah, now.  I think the author is playing a canny game here.  It's simply not made clear.  The word 'tile' is often used interchangeably - it could be ceramic, stone or even wood.  In this case, maybe it's a brown or red sandstone flaggy sort of tile.  If she meant ceramic then it's a bit contentious as the mere mention of 10th century ceramic tile in England is liable to evince a fainting fit in some quarters of the archaeological specialists gang.  I think we might have 10th century roof tile at Coppergate in York, but publication of that before I snuff it is very unlikely, so according to some it's an urban myth (fair enough till the evidence is presented).

Crashing on - we have on page 269 a refence to a floor:

"[...] the inside of the Spider's Hall.  Smoke-darkened plaster, tiled floor."

and:

"... scars in the tiles ..."

It's the same situation as the russet tiles - we're not quite sure if these tiles are stone or ceramic.  This then, rather than an author showing their historical knowledge, is a lesson in what is important in a story.  We don't need to know whether the tiles are ceramic or not. The story is the important thing.  Whitworth has ensured her novel has an authentic feel in so many other ways, that we can trust her.

And a very interesting novel it is too. I heartily recommend it as a good read.  I have the honour of reviewing it for the Historical Novel Society, but can't put the review on this blog until it's published by the HNS.  I'm not sure when that will be as unfortunately the review went it late due to the deadline clashing with one of my university essay deadlines. But I can say that if you're interested in early 10th century, you'll probably enjoy this book!  Congratulations to V M Whitworth on a marvellous debut novel.


Saturday, October 15, 2011

Medieval roof tile stamp - Agnus Dei


Roof tile stamps have only been a very minor feature of my cbm career as I've only seen one or two.  But today, I came across one in a publication and was mightily impressed.  I've long known about the cbm powerhouse of East Yorkshire, but this example is outstanding.  

It is Agnus Dei - Lamb of God, a pretty typical medieval motif, but to see it on a roof tile is wonderful.  It probably comes from a seal and it's speculated that the tile was part of a batch that was 'blessed' or approved by the seal owner.  I hope the authors don't mind the scan I took of the back cover of the publication. The details of the Agnus Dei tile are fully discussed.  

The full details are: 

Archaeological Investigations at Morton Lane, Beverley, East Yorkshire by R McNaught and A Webb, Archaeological Services WYAS Publications, 2005.

The cbm report details are: Ceramic building material by J Tibbles, pages 21-24.

The whole publication can be obtained by visiting this website.

Other cbm includes: tile discs, brick weights and brick net weight/sinker and a ridge tile with finial hole.  Unfortunately, these aren't illustrated.





Sunday, September 25, 2011

North Eastern Railway Tile Maps

This tile map is from Middlesbrough station, but there's also one at York station which I see on a work day, as I pass by destined for the bus-stop outside the station.  The maps are wonderful to look at, and you can see all the now-defunct stations in the area. 

The maps date from about 1903 when the Northern Eastern Railway was at its height.  The maps were placed at various NER stations, but not all survive to the present day - for further information go the NER website.

Sunday, August 14, 2011

Saturday, August 13, 2011

Binchester/Vinovia

With a site boasting the best Roman baths remains in the country (probably), Binchester is a must for the tile fan. In this case, a tile fan without her camera (the pic above is from Stanford Univ's website), but I shall return to the site in one guise or another and will take my best camera with me.
Meanwhile, a bit of information about the site:

This is the Durham County Council website, with visiting details:

http://www.durham.gov.uk/Pages/Service.aspx?ServiceId=6646


There's an excavation taking place there until 2014, and here's the associated blog, which details the finds, both artefact and site specific:

http://binchester.blogspot.com/

A couple of recent publications are now in discerning bookshops:

Vinovia by Iain Ferris

and

The Beautiful Rooms are Empty: Excavations at Binchester Roman Fort, 1976-1981 and 1986-1991 by Iain Ferris
Frankly, I don't think the beautiful rooms are empty, because they are full of tile! btw, some of the tile from the site can be seen in Bowes Museum, and I have some photos of those somewhere ...

Sunday, July 17, 2011

Dura-Europos: Crossroads of Antiquity

Looks like some or one of these tiles may now be on show at Mount Scopos in Israel, but previously to that, there were tiles on show at the Dura-Europos: Crossroads of Antiquity exhibition in the US. See the article here: http://www.bc.edu/offices/pubaf/news/2011/duraeuropos01272011.html

And here's a tile (which is clay with a layer of alabaster) from the ceiling of a 3rd century building :


It shows Heliodoros, an actuarius, Dura-Europos, L7, House of Scribes.

Sunday, June 07, 2009

Leeds International Medieval Congress - 13th July

Brick and Tile in the Middle Ages
Monday July 13, 2009
Leeds University
Brick and tile were extensively used in the middle ages in north-western Europe both in cities and in rural buildings. Dating techniques are becoming more sophisticated and two of the papers look at the relatively new technique of optical luminescence and the insights this provides into the dating of early brick in England.

Sponsor: British Brick Society

Speakers:
Luminescence Dating of Medieval Essex Brick Thomas Gurling, Luminesence Laboratory, Department of Archaeology, Durham University

The Origin of Ceramic Building Materials for the Early Medieval Church at Chipping Ongar, Essex: A Case Study of Thermoluminescence Dating Applied to Building Archaeology Sophie Blain, Université de Bordeaux

Roof Tile and Brick in Medieval York Sandra Garside-Neville